Project
Yabini Kickett in the Town of East Fremantle
Over the span of 2022 I was fortunate enough to spend time working within the boundaries of East Fremantle. Initially this engagement was with school aged children through Richmond Primary — with guidance from long serving Art teacher Jody Scott. It’s always such a delight working with young people, listening to their perspectives on the world around them.
It was clear in this instance that all students were proud of their proximity to the river, and all it provides. There was a joy to be shared in their acknowledgment of cultural significance, something I’m happy to say younger ones are increasingly sensitive to. Through a couple of workshops we got messy with soft pastel, water and clay — investigating the geology of place and picturing what their suburb looked like prior to colonisation.
The final exhibited textile work features clay charms made by the students, focusing on water and the river system they call home. The silk was solar dyed as my last goodbye to my childhood home. Done in the front garden using plants my dad had grown to re-vegetate the area over 15+ years.
After working with the school I became curious about the old Woodside Maternity Hospital I’d heard so much about on Dalgety St. It felt like a natural progression, spending time in our old birthing places by the river, with kids at Richmond to now researching motherhood and birth around that institution.
We put a call-out through social media for any local people with related stories to come forward — From there we were lucky to yarn with four. One young mum on her accidental home birth, long-time residents and mother daughter duo, plus a friend of a friend who grew up on King Street. Each interview held such fond memories of the town — Some that hadn’t been spoken about aloud in years. I’m still very appreciative of those that welcomed us into their homes to share their stories.
These interviews were compiled and played at an intimate event down by the John Tonkin Reserve foreshore one evening during early December. Introduced by Aunty Geri Hayden, we sat and listened to the mentioned interviews, but also to her reminisce about her mum Nana Janet Hayden, a respected Noongar Elder and important woman in our shared history.
The final display at the UWA Cullity Gallery combines all moments of this journey. The photograph taken by my dad Richard, out on ancestral country — Granite rock holds a special place in my heart so felt important to include. The textile collaborative work between myself and the students, and the lighting by Cara Teusner-Gartland who also alongside Nansen Robb created the same effect at the John Tonkin event.
Again, a big thank you to everyone who showed me kindness during my time in East Fremantle. I have a newfound understanding and appreciation of the place and what it means to local people. I hope our paths cross again in the future.